ARca dell'arte Premio Pasquale Rotondi Sassocorvaro ai Salvatori dell'arte

The Story
The rescue operation

1940-1945: in the corner of the Montefeltro territory, which includes Urbino, Sassocorvaro and Carpegna, paintings and works of art from a number of Italian museums were collected and saved from the dangers of war. A safe shelter to guard these valuable treasures was needed, and the choice fell on the Fortress of Sassocorvaro. The whole rescue operation was entrusted to a young art curator from Urbino – Pasquale Rotondi. From June the 6th 1940, the Fortress hosted a great number of masterpieces coming from the Marches Region; from October the 16th 1940, treasures from the Venice Museums, the Galleries and Ca’ d’Oro were also gathered and were guarded until the end of the war - a period of 5 years, 3 months and 8 days..


› Montefeltro between war and arts

In the period directly before Italy’s entrance into the war, the Government activated an emergency plan to protect the immense national art heritage. Drawing on considerable resources, a great number of protection tasks were completed, so that with Italy’s entrance into the war on the 10th of June 1940, the majority of monuments, such as churches and buildings, were virtually invulnerable. To save movable works of art, it was suggested that they be put in a safe place far away from military targets. As for the Marches, the rescue operation was entrusted to P. Rotondi; he was to find a safe shelter for the famous paintings by Piero della Francesca and Paolo Uccello, Raffaello and Tiziano, just to name a few. With the beginning of the war, this project resulted in a much more arduous task than what had been foreseen.


 

The arrival of masterpieces from Marche

6th of June, 1940. The first trucks containing important works of art from the Marches’ main museums arrived in Sassocorvaro reaching their refuge within the Fortress. From Urbino, there came the Flagellation and the Madonna of Senigallia by Piero della Francesca and the altar piece of the Corpus Domini by Paolo Uccello; from Ancona, two paintings by Tiziano along with those by Crivelli; from Jesi, the works by Lotto and from Fermo, Rubens. Apart from these, Pesaro’s entire ceramic collection – perhaps the largest and most complete collection in all of Italy and which also included many medieval objects taken from the churches within the Marches.

 

Within a few days, the artistic heritage which best represented the region, was secure.